Sex And Sex Work The Provision Of Sexual Services For...

To understand sex work it is first essential to define it, the World Health Organisation defines sex work as â€Å"the provision of sexual services for money or goods. Sex workers are women, men and transgendered people who receive money or goods in exchange for sexual services, and who consciously define those activities as income generating even if they do not consider sex work as their occupation.† This notion of sex work suggests that it is a job, sex and sex work are deemed to be commodities under capitalism. When specifically discussing women who participate in sex work it can be said that sex work is a liberating form of sexual expression which is a job superior to others as it offers flexible working hours, autonomy and often a self decided salary. It can be said that a female sex worker breaks the bonds of patriarchy as this line of work enables the worker to gain control over a male patron. When looking at the impact capitalism has had on sex work it is vital to avoi d this idea of celebrating female empowerment until it can be seen for certain rather than a rose tinted and unrealistic view of sex workers. It is widely know that a economic necessity is the cause of women foraying into sex work and the sex industry. A important distinction must be made between the glorified stance on sex work and the oppression faced by sex workers and to understand this it is necessary to understand the relationship between capitalism, sex work, the sex industry and the oppression ofShow MoreRelatedProstitution And Its Effect On Society Essay1630 Words   |  7 Pagesstill legal in some rural counties of Nevada, including areas outside of Las Vegas. Prostitution is the provision of sexual services for a negotiated payment between consenting adults. Prostitution is a service industry like any other in which people exchange services for money or other reward. No person s human or civil rights should be violated on the basis of their trade, occupation, work, calling or profession. Additionally, no law has ever succeeded in stopping prostitution. Legalization wouldRead MoreDomestic Human Sex Trafficking in the United States1300 Words   |  6 PagesDomestic Human Sex Trafficking in the United States Human sex trafficking and its sister category, Domestic Minor Sex Trafficking also referred to as DMST, (Kotrla,K. 2010) is the most common form of modern day slavery. In the United States there are an estimated 293,000 youth who fall under high risk factor or DMST (Walker-Rodriguez, A. Hill, R. 2011). Many men prey on the at risk youth to make a fortune for themselves. DMST exposes the youth to a life filled with violence, abuse that is bothRead MoreEssay about P4 M2 D1 - National Initiatives Unit 21588 Words   |  7 Pages P4 I am going to write about 4 legislations, these are the Sex Discrimination Act 1975, the Disability Discrimination Act (DDA) 1995, the Human Rights Act 1998 and the Age Discrimination Act 2006. Sex Discrimination Act 1975 is to protect men and women against discrimination or harassment on the grounds of their gender. This can include education, employment, facilities or goods. Discrimination against someone due to their sexual orientation is against the law. If anyone feels that they are beingRead MoreThe introduction of new technological advanced innovations and methods during the Market Revolution1700 Words   |  7 Pagesmeans of production and transportation for the future, creating an easily accessible, interconnected world. 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Predominantly in the Western world, the assembly of family and kinship is where we acquire some sagacity of our sexual needs and identities; as family and kin patterns continue to change, so will our outlooks and opinions concerning them, as well what we consider to be the norm. WhenRead MoreThe Issue Of Sex Trafficking1275 Words   |  6 Pagessold into unwilling slavery. In 1927, the League of Nations was founded, this organization was formed to focus on world peace and it also focused on human trafficking. In 1932, Japan had set up a system where women all across Asia were forced into sexual slavery. The women were housed in what were known as comfort stations. The conditions in these stations were atrocious, with each woman detained in a small cubicle, and received beatings and other tortures if they were defiant against the torturesRead MoreThe Issue Of Sex Work Essay2586 Words   |  11 PagesSexual favours in return for money, just the thought of this has people cringing, although laws have deemed to move forward with the idea of prostitution it seems although socially there has not been much progress. The idea of prostitution still scares, or one could even go as far to say it disgusts people. The lack of knowledge and awareness of the details o f sex work create this ongoing hate towards sex work, which continues to stigmatize sex workers. Regardless of changing laws, regardless ofRead MoreShould The Canadian Government Be Legalized Prostitution?1868 Words   |  8 Pagesbecause as a government and society they are guilty of punishing those that are involved with prostitution. The laws that are in place (i.e. Bill C-36), show an antiquated view on the ideology/issue of prostitution; which is one that not only prosecutes sex workers but also affects their means of creating a stable income, as well as affecting their personal safety by forcing them to conduct their business in dangerous environments in order to prevent themselves from being charged/arrested. If the CanadianRead MoreWhat Is Identity? Who Defines Such, And How Is It Constructed?1570 Words   |  7 Pagescan refer to one’s self, a personal identity; but at the same time can also be socially constructed. People have unique identities which may be partly determined by family influences and personal development, but also biological influences such as a sex, ethnicity, age and disability. As far back as 1690 John Locke wrote an essay concerning human understanding, he considered that personal identity was founded on consciousness, going on to state that identity was of the mind and not of the body. 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The Great Gatsby, a novel of the past Free Essays

The Great Gatsby by F. Scott Fitzgerald is a novel written in the past. The characters chase visions of the future that are determined by their past, which leads them to tragedy. We will write a custom essay sample on The Great Gatsby, a novel of the past or any similar topic only for you Order Now The protagonist, Jay Gatsby, has dedicated his entire life to recapturing the perfect past with his soul mate, Daisy. Even though he believes that recreating the past is his life’s goal, this leaves a tragic, heart-breaking, and disastrous ending to the novel. When Nick Carraway, the narrator, tells Gatsby that you can’t repeat the past, Gatsby replies, â€Å"Why of course you can! † this is because when he has a month of fun love with Daisy, he thinks that that can compete with the years and experiences she has shared with Tom, which was proven wrong when she admits she is also still has feelings for Tom. The effect of the exclamation mark shows the emotional outburst he has and exaggerates his excitement to win back Daisy, as it is his version of the American Dream. Gatsbys mansion is a physical symbol of his love for Daisy, he is certain that money can reconstruct his history with her. Gatsby uses his â€Å"new money’ to create a home that he thought equalled houses of â€Å"old money’, which is ironic as the segregation between societies is what had taken her away from him originally. The novel is told in a linear fashion but not in chronological order, it includes many flashbacks and moments in time. Even though there is a lack of faith whether the narrator is reliable or trustworthy, it adds realism as the reader’s life is also not in chronological order. The reason for this is because Fitzgerald uses an impressionistic arrative technique, where Nick tries to make sense of the events in the story and comments on them, which mirrors the same way we do as readers. He focuses on the past as he has in fear of the future without Gatsby. There are hints and accusations that Nick is homosexual and in love with him. Greg Olear, in an article on The Weeklings, highlights that his description of Jordan Baker in Chapter One â€Å"could be a description of a man† and â€Å"the word ‘small breasted’ which de-emphasizes the golfer’s feminine attributes. This could explain why he fixates on the past and idealises it. Technology plays a big role in the novel in ending huge opportunities and futures, especially with Tom’s marriage and love affair. The tension created in the novel when his house phone rings is vast as even though we are not told who is calling, the reader knows it is Tom’s lover. This may be the reason that Daisy feels obliged to have an affair as she is rebelling against Tom. Another example of technology is Gatsbys yellow car which kills Myrtle. The description of her death is xtremely vivid to create an image in the reader’s brain, â€Å"her left breast was swinging loose like a flap. † The significance of the symbol of her â€Å"left breast† is femininity and motherhood. It is being ripped off her body as she dies; translating that her femininity led to her death or that it had been taken away from her because of her lower class birth. The Lost Generation involves a group of writers, including Fitzgerald, who during the First World War and the Great Depression moved to France, Paris, for its inexpensive cost of living. https://donemyessay.com/the-great-gatsby-novel-questions/ How to cite The Great Gatsby, a novel of the past, Papers

Comparison Of Michelangelo’S And Bernini’S Davids Essay Example For Students

Comparison Of Michelangelo’S And Bernini’S Davids Essay â€Å"The greatest artist has no conception which a single block of marble does not potentially contain within its mass, but only a hand obedient to the mind can penetrate to this image.† ~ Michelangelo BuonarrotiMichelangelo describes in the above quote what it is like to carve a likeness of a person out of a large block of marble. As we know from seeing his work, he did an excellent job with this task. Bernini did just as fine a job on his, but in a much different way as you will see in the following pages. MichelangeloMichelangelo was born on March 6, 1475, in Caprese, Italy, a tiny village, owned by the nearby city-state of Florence. His father was the mayor. He attended school in Florence, but he was preoccupied by art. When he was 13, his father agreed to apprentice him to some well-known painters in Florence. Michelangelo was unsatisfied with these artists, because they would not teach him their artistic secrets. He went to work under another sculptor hired by Lorenzo de Medici. When Michelangelo was 21, he went to Rome, where he was commissioned to carve a group of marble statues showing the Virgin Mary supporting the dead Christ on her knees. His sculpture was called Madonna Della Pieta, and it made Michelangelo famous. A few years later, in 1501, he accepted a commission for a statue of David. He took on the challenge of carving this beautiful work out of a â€Å"huge oblong chunk of pure white unflawed Carrara marble – some 18 feet high and weighing several tons that had been badly block out and then abandoned by an earlier sculptor† (Coughlan 85). This piece had always fascinated Michelangelo, but neither he, nor anyone else, could think of what to carve from it, until now (Coughlan 85). Thus began a new era in art, the High Renaissance. He began carving this statue for the city of Florence. It would become a symbol of this city, â€Å"a city willing to take on all comers in defense of its liberty† (Coughlan 91). The statue acquired this meaning by the way Michelangelo depicted this biblical character. Instead of presenting us with the winner of the battle, with the giant’s head at his feet and a sword in his hand like Donatello did many years before, he portrays David right before the battle begins. David is in the moment where his people are hesitating and Goliath is mocking him. He is placed in perfect contrapusto; in the same manner the Greeks represented their heroes (Heusinger 17). The right-hand side of the figure is composed, â€Å"while the left side, from the outstretched foot all the way up to the disheveled hair, is openly active and dynamic† (Heusinger 18). Frederick Hartt does an excellent job of describing the essence of the statue:â€Å"Throughout the statue, but especially in th e head, the conflict between line and form†¦ †¦is intensified and deepened. The features are more deeply undercut than in any of the earlier works, possibly because of the height from which the statue was originally intended to be seen. †¦The enormous eyes †¦seem at once liquid and fiery. The flat planes joining at determined angles underlie all the construction of the David, not only in the squared-off masses of the features but throughout the knotty, bony, sinewy, half- developed, and unprecedentedly beautiful torso and legs. For the first time Michelangelo is able to embody in the quality of a single human body all the passionate drama of a man’s inner nature. The sinews of the neck seem to tense and relax, the veins of the neck, hands and wrists to fill, the nostrils to pinch, the belly muscles to contract and the chest to lift with the intake of breath, the nipples to shrink and erect, the whole proud being to quiver like a war horse that smells the b attle. But the nature of the battle there is no indication whatever; it is eternal and in every man† (Hartt 112). A Critique of A Good Man is Hard to Find good hard EssayThe tension of the twisted body shows the force that David is ready to release. His foot grips the base of the statue to withstand the strain in the body. The action has reached that moment when the stone is about to be released. It is a marvel of dramatic action frozen in stone. â€Å"The unruly hair, the knitted brow, and above all the clenched mouth indicate one of those moments when the complete physical and psychic resources of the will are summoned to extraordinary effort† (Stokstad 759). The viewer becomes physically involved with the action of the statue. Davids eyes sight past us. The viewer’s space is his and will soon be the stones. The split second of time captured in the marble demands a single, clear point of view (Janson 556). By the time the David was finished, early in 1624, Bernini no longer had time for private commissions. The David, consequently, marks a real break in Berninis life. â€Å"Be rninis unification of real and artistic space stands at the center of most of the Baroque art in the following years. In some ways, the whole history of Berninis artistic journey can be seen as the unfolding of this idea, with ever-richer meanings and more powerful physical environments. A new unison of the arts emerged and the David stands at the beginning of this period† (â€Å"Berninidavid†). Comparison of the Two DavidsAlthough both of the above artists chose the same subject matter, there are many differences between their sculptures. The first difference is the moment the artist chose to represent. Michelangelo chose the moment just before the start of the battle. His David is thinking about what he is about to do. Bernini on the other hand, chose the split second before David launches the stone from his sling. By choosing this moment, Bernini has created a dramatic representation of an event frozen in time, suggesting the next series of events, the release of the stone and the death of Goliath. His figure is bursting with the same energy that Michelangelo had stored in his figure. Berninis figure implies another figure in our space, Goliath. David no longer a thing to look at in his own space, but is now in the viewer’s space. He has actively involved the viewer in the sculpture itself, like we have seen before in Hellenistic sculpture. Michelangelo introduced a new tension in his huge figure of David by showing him shortly before the battle, but no sculptor had ever tried to show the actual moment of the shot the way Bernini did. Within two hundred years of each other, four completely different statues of David appeared in Italy and all are great works in their own way. Donatellos came first, then Verrocchios, followed by Michelangelos, and finally that of Bernini. The four sculptors had completely different objectives. Only Bernini was interested in showing the actual action of the slaying of Goliath. Of the four statues, I think Berninis is the most dramatic and the most realistic. I think that is exactly what Bernini wanted to achieve. I also love Michelangelo’s David for other reasons. It is perfect in form, as is was meant to be, which makes the viewer believe that this is just a boy, even though he is seventeen feet tall. I believe both artists got their point across very well in embodying the artistic ideals at the time of their work. I also think they each did a wonderful job of telling a story that will live on forever, just as their names and sculptures will. Arts and Paintings